First impressions of the
track were not favourable. The synthesiser intro - which stays the same
throughout - gives off this flamenco sound that could contend with supermarket
or elevator music. It has no real purpose other than to completely alienate
Strokes’ fans right away, and the falsetto from Julian Casablancas is equally
as unexpected.
However on the third of
fourth listens the synth riff began to grow on me and so did the falsetto,
lowering the ridiculousness meter by quite a bit. While I wouldn’t want to hear
Casablancas falsetto ever again, it could’ve sounded a lot worse, and I guess I
should admire The Strokes for continuing to search for a new sound instead of
giving up and returning to their indie rock roots.
Honestly One Way Trigger
isn’t that bad. Once the initial shock of the previously mentioned settles down,
the track starts to become somewhat enjoyable, not Is This It enjoyable but that’s a whole different story. I would
like to see The Strokes use more of a synthesiser-based sound for their next
record, because with Angles being
pretty decent we could see The Strokes produce something that might regain some
of that early career credibility. Honestly One Way Trigger isn’t that bad.

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